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The Mathematics of Beauty > Timeline > 1967 - Tons Brunés

Sacred Cut constructionThe Sacred Cut was coined by the Danish Engineer Tons Brunés, in his book The Secrets of Ancient Geometry and Its Use. In that book he claims the sacred cut is found in the layout of many ancient building, including the Parthenon.

Construction of the Sacred Cut: Draw a square. With a compass open to an amount equal to half a diagonal of the square, swing an arc with center at a corner of the square, passing through the center of the square and cutting two sides of the square. Repeat for the other three corners of the square. Through the eight points of intersection of the arcs and the sides of the square, draw four verticals and four horizontals. The center square formed by this construction is called the sacred cut square. Connecting the eight points of intersection of the arcs and the sides of the square consecutively forms an octagon.

The construction can be extended inward, by repeating the construction on the Sacred Cut square. It can also be extended outward, joining the intersections of the circles and the diagonals, to form a square of which the original square is the Sacred Cut square.

Brunés calls this construction Sacred because it contains both square and circle, uniting the earthly and the divine as in the Vitruvian man. Furthermore, it squares the circle. The length of the four arcs equal the four diagonals of the half-square. And, as mentioned, it gives the octagon, the shape universally used for baptistries and baptismal fonts.     - Paul Calter, Squaring the Circle

The original edition of The Secrets of Ancient Geometry and Its Use was published in 1967. Sue Eckermann Golik studied with Mr. Brunés in Copenhagen in the early 1990′s. Following Mr. Brunés’ death in 1995, she acquired the rights to re-publish his books. The new format, designated the  “Scholar’s Edition”, is available through Ancient Geometry, Inc.

Chapter Headings Volume I:

  • Chapter One: The first experiences
  • Chapter Two: Speculation on time and numbers
  • Chapter Three: Appearance of figure 7 as a symbolic factor
  • Chapter Four: Birth and development of geometric speculation
  • Chapter Five: Circle's rectangle and triangle
    Dividing up the Circle's circumference

  • Chapter Six: The application of Ancient Geometry
  • Chapter Seven: Ancient Geometry and its place in Ancient Egypt
    The Pyramids – the Great Pyramid of Cheops
    Pyramid of Cheops in Relation to Ancient Geometry
  • Chapter Eight: Book of Exodus: Ritual Significance of Moses' Tabernacle
  • Chapter Nine: Egyptian Mathematics and the Influence of Ancient Geometry
    Measures of Capacity
    Measures of Area
    Triangular calculation
  • Chapter Ten: Pythagoras – and a Geometric Analysis of Plato's Timaeus
    Pythagoras
    Plato

  • Chapter Eleven: Temples of Antiquity
    Temple of Ceres
    The Theseum
    Temple of Poseidon
    The Parthenon
    Plans and proportions of Temple columns
  • Chapter Twelve: Geometry applied on the Ancient Building Site
  • Chapter Thirteen: Triumphal Arches of the Early Christian Era

Volume II:

  • Chapter Fourteen: Ancient Geometry reaches the Middle Ages
    Cologne Cathedral: the Old
    Cologne Cathedral: the New
    The Pantheon
  • Chapter Fifteen: The Golden Section v. the Sacred Cut
  • Chapter Sixteen: Ancient Geometry and Figurative Art
    Art in Egypt
    Sculpture in Greece
    Vases, jars . . . and geometry
  • Chapter Seventeen: Cuneiform and Numerals: The shape of things to count
  • Chapter Eighteen: ABC of the Modern Alphabet
  • Chapter Nineteen: Trelleborg: A Viking Stronghold
  • Chapter Twenty: The Origin of Chess?
  • Chapter Twenty-one: Ancient Geometry and Modern Times

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